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He cites as an important influence Norman Klein’s book The Vatican to Vegas: A History of Special Effects, which articulates how scripted spaces, from Baroque churches to supermarket aisles, cajole and lead their users, stupefying them with visual thrills while selling whatever it may be-ideology to ice cream. Da Corte has mixed and restaged past installations- sometimes only including a small detail-in an immersive Gesamtkunstwerk that connects all of his production while provoking new narratives and new associations.

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The strange, seductive world of Free Roses is a survey exhibition that features a selection of works made over the last ten years, along with a major new project. This simultaneously seductive and disorienting backdrop for his paintings, sculpture, and videos offers viewers an intensified, “fortified” image of reality-cooked and concentrated through the artist’s imagination. This is true of his exhibition at MASS MoCA, where he transformed the industrial interior with carpeted, patterned, and mirrored floors, painted walls, and colorful neon lighting that bathes the spaces in an electric glow. Staging various interiors designed to comfort or entice-a New York diner, a suburban teenage bedroom, a Vegas casino, a shopping mall, or an upscale strip club-Da Corte recasts every surface in order to transport both his works and his viewers into a space of fantasy. Candy- colored and meticulously composed, his works are organized with a rigorous formal logic and often presented in (and as) sumptuous environments. Da Corte is influenced by a range of artists from Duchamp to Ellsworth Kelly (whose 1959 work Charter he directly references), along with Andy Warhol, Marisol, Edna Andrade, and Robert Gober, to name just a few.

Into these unlikely amalgams, he injects pop culture references, personal narrative, and art historical allusions like a vivifying serum, as bewitchingly liquid as the shampoo and soda reductions he has mastered as material for art. His vibrant works merge the banal stuff of our everyday lives with the sophisticated visual languages of modern design and abstraction. Desire and temptation are at the heart of Alex Da Corte’s work-the inextricable pull of late capitalist culture is manifest in his manipulations of familiar consumer products, advertising, and the reflective surfaces of retail display. The Axeman of New Orleans AKA A Real Crumb List of episodes and topics Įdmund Kemper 'The Coed Killer' & Chatty CathyĬharles Manson 'The Love Bug Sent From Up Above' Part 2 Morbid: A True Crime Podcast is currently ranked in the top 20 podcasts in the United States on Spotify and Apple Podcasts as of February 20, 2023.

Urquhart published her first novel, The Butcher and the Wren, debuting in September 2022 through independent publisher Zando. Five podcasts exist under the production of the Morbid Network: Cult Liter with Spencer Henry, That's Spooky, Seven Deadly Sinners, Scream!, and The Strange and Unusual Podcast.Īside from Morbid, from November 2021 to June 2022, Urquhart and Kelly also hosted a podcast in partnership with Parcast called ' Crime Countdown'. In 2022 Urquhart and Kelley started a podcast network called ' Morbid Network' under the umbrella of the Wondery podcast network. Morbid has been included on best-of lists by Erie Reader, Vogue, The Post, and Bleeding Cool. Urquhart is Kelley's aunt, but the two often refer to each other as 'sisters'. Urquhart is an autopsy technician/author and Kelley is a hairdresser. Morbid: A True Crime Podcast is an American true crime anthology podcast hosted by Alaina Urquhart and Ash Kelley.